Robert Beverly Hale Drawing Lessons From The Great Masters

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I actually bought this book years back, about a decade ago or so. It was interesting to see how much easier the text is to understand now that I've completed the training to become a musculoskeletal radiologist than it was when I first attem
I've always been very interested in art, especially drawing, but never had a chance to take a class in the subject after grade school. My interest was piqued again after my participation in #inktober this year, so a few weeks back, I dusted off this old book.I actually bought this book years back, about a decade ago or so. It was interesting to see how much easier the text is to understand now that I've completed the training to become a musculoskeletal radiologist than it was when I first attempted to read it ten years ago, back when my understanding of human musculoskeletal anatomy was relatively poor. I see that some earlier Goodreads reviewers have commented on how their enjoyment of this book's drawings was compromised by their dislike for the text, and I think this has to do with the cheeky tone Hale takes, the sort of airy high-handed way he sprinkles anatomy jargon everywhere without adequately explaining it so that readers will marvel at what a hard job he has as an artist and how much study must have been required to achieve his level of expertise. I can see how this tone and approach could be off-putting to some. Still, now that I happen to have some understanding of musculoskeletal anatomy under my belt, I found myself able to follow along and even enjoy it. Your mileage may vary.
"You may wonder whether artists have X-ray eyes; I assure you that is just what all good artists have."
To be fair, this book doesn't pretend to teach beginning artists everything they need to know about drawing: in fact, Hale repeatedly and explicitly directs beginners to seek out other resources to round out their knowledge of anatomy, perspective, etc. But he does cover some fundamentals (highlights, shade, planes) at a basic level, driving them home with a healthy amount of repetition and examples. And the choice of examples is impeccable: if you want to learn from the best -- Michelangelo, Leonardo, Durer, Rembrandt -- you can do so here. This is a book to which I can see myself returning time and time again.
I underlined a few passages that I thought had surprising applicability, albeit unintentionally, to the world of creative writing and poetry:
"Beginners always feel that all details are created equal and that it is thoroughly undemocratic to put details in their proper place. But this liberal belief leads to disaster. Of course a drawing must have details. But the student must realize that their impact must be subordinated or intensified at times. And sometimes they are selected, invented, or even eliminated altogether. These procedures require the deepest resources of the artist."
And:
"It is curious that we all cannot draw hands well -- after all, our own hands are constantly in view. This simply proves the point again: we cannot draw anything well unless we have thought about it a great deal. Very often, when I am lecturing on hands, I notice the students carefully examining their own hands as if they were seeing them for the first time. Actually, I suppose the forms we draw are just thoughts with lines around them."
And:
"This drawing was done very quickly. Students always feel that they can make a good drawing if they have enough time. But these marvelously rapid sketches of Rembrandt may teach you that it is not time that makes a good drawing, but understanding."
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(More pictures at parkablogs.com)
Drawing Lessons From the Great Masters is an art book that teaches by looking at the art fundamentals used by great art masters themselves — Michelangelo, Leonardo Da Vinci, Rodin, Goya, Rembrandt, among others.
There are 100 master drawings analysed by Robert Beverly Hale on the fundamentals such as line, light and planes, mass, position and thrust, and anatomy. These are all figure drawings. Each illustration is printed full on one page with a certain sectio

(More pictures at parkablogs.com)
Drawing Lessons From the Great Masters is an art book that teaches by looking at the art fundamentals used by great art masters themselves — Michelangelo, Leonardo Da Vinci, Rodin, Goya, Rembrandt, among others.
There are 100 master drawings analysed by Robert Beverly Hale on the fundamentals such as line, light and planes, mass, position and thrust, and anatomy. These are all figure drawings. Each illustration is printed full on one page with a certain section selected for analyzing on the next. The commentary is simple and concise, providing great insight to what these artists were thinking. Many of these pieces are really sketches but when you realised the thought put behind every stroke and what the artist was trying to show, you'll instantly be enlightened.
At the end of this book, even if you can't draw yet, you'll be able to identify the difference between a good and bad drawing. And when you draw, you'll remember the principles.
This is a really useful and inspirational reference book, great for beginner to advanced artists.
Robert Beverly Hale has also authored Anatomy Lessons From The Great Masters, which uses the same teaching style here but focusing on anatomy drawings.
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Or at least rob some graves. (c) Leonardo da Vinci



The book features 100 drawings by some of the greatest artists from the past, and are analyzed by Hale himself. The format of the book is that the left side of the page will feature a smaller version of the featured piece and then the
Within every area of interest there are books that can be considered "essential". The designation as essential, usually relates to a certain aspect of the topic at hand. Robert Beverly Hale's classic book, "Drawing Lessons From the Great Masters" is one such book.The book features 100 drawings by some of the greatest artists from the past, and are analyzed by Hale himself. The format of the book is that the left side of the page will feature a smaller version of the featured piece and then there are paragraphs that go into whatever is being discussed at the moment. Each of the works of art have letters from the alphabet attributed to points of reference and Hale the explains what is happening at each of the "lettered points". The reader is then able to look of the facing page, where a larger, full page, presentation of the piece is featured, and can then examine the nuances and details that Hale is describing on the preceding page. This format works brilliantly throughout the book and gives the reader the opportunity to take a look at the two pages and walk away with a valuable lesson in a short amount of time. This is not a book that you will want to read "cover to cover" in one sitting, as there is enough instruction in each lesson that you will want to close the book and meditate/savor on the lesson learned and absorb it into your subconscious.
The topics covered are: "Learning to Draw", "Line", "Light and Planes", "Mass", "Position, Thrust or Direction", "Artistic Anatomy" and "Driving all the Horses at Once". At the start of each of the topics, Hale spends a few pages discussing the topic at hand, before moving onto the annotated illustrations. He does a great job of communicating the essential skills and concepts to be further explored.
Besides Hale's excellent analysis, the book features outstanding works by the likes of Michelangelo, Da Vinci, Raphael, Rembrandt and others!
This is a book that you will return to many times during your lifetime, as the insights provided will reveal more of themselves as you further mature as an artist.
Highly Recommended!
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Gale's concept and organization are far better th
Drawing Lessons From the Great Masters has remained in print since the 1960s. Robert Gale came up with an ambitious goal for an art instruction book, using drawing from the old masters to illustrate various lessons about drawing. The book is divided into topics, such as line, mass, anatomy, and after each explanation he shows several examples. And what fine examples they are. I was particularly pleased to see so many drawings by Andrea Del Sarto.Gale's concept and organization are far better than his actual writing. I found the anatomy section problematic. He uses terms that aren't well explained - or explained at all. I have a pretty good knowledge of bone structure and basic musculature, but I had to resort to google several times. I wondered how a beginner would navigate this section. In spite of this, I found the book useful and would recommend checking it out of the library and doing some of the exercises.
(In the same vein, I recommend
The Master Draughtsman Series, which is out of print, but one can still find them on eBay or Amazon. The volumes cover a vast array of artists going from the Rennaisance to the mid-20th century. I especially liked the volumes on Watteau, Ingres, Raphael, and The Hand in Art) ...more
The forward is by Jacob Collins, one of the leading realist artists working today. He foun
This was a very helpful guide on drawing and I learned much about how to approach my own drawing studies. It includes drawings in various stages of finish from a wide variety of Greats such as da Vinci, Durer, Titian, Rembrandt, Degas, and many more. Full page illustrations were each followed with an analysis by Robert Beverly Hale complete with a smaller version of the artwork, labeled for easy reference.The forward is by Jacob Collins, one of the leading realist artists working today. He founded the Water Street Atelier and Grand Central Academy of Art in New York, where I hope to take some summer workshops at some point.
This book is definitely one to keep.
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This book has a very good treatment of lines and planes in particular. I also love the little gems like page 31 where the author caught da Vinci practicing his shad
One of my all-time favorite art instruction books. It answers so many questions that I developed while drawing and painting. For example, which artist uses which type of head construction: sphere, box, cylinder, other? I never found another book that acknowledges the choice, let alone shows me how to analyze the drawings of my choice.This book has a very good treatment of lines and planes in particular. I also love the little gems like page 31 where the author caught da Vinci practicing his shading!
I'm calling it read, but I come back to this book whenever I have a question, so I'll never truly be done. Solidly worth five stars.
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I also think your tastes will improve. Your standards for a "good" figure drawing will change for the better I think. These days we might see a lot of crazy dynamic figure drawings in comics and anime etc. This book will teach you that there can be power in subtlety.
Study from this and you will get better at figure drawing. The main thing you learn is how past artists tackled subjects such as anatomy and lighting.I also think your tastes will improve. Your standards for a "good" figure drawing will change for the better I think. These days we might see a lot of crazy dynamic figure drawings in comics and anime etc. This book will teach you that there can be power in subtlety.
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It guides readers to analyze and appreciated masterpieces from artist and lessons reader why the drawings are good and how to learn.
It introduces concepts such as line, light and planes, mass, position, and directions. All these are extremely useful as a systematic way to understand drawings.

This book is indespensible.













Learning to Draw, Line, Light and Planes, Mass, Position Thrust or Direction, Artistic Anatomy, and Driving all the Horses at Once.
Wow, a master class in the fundamentals and application of drawing with examples from the World's great masters.Learning to Draw, Line, Light and Planes, Mass, Position Thrust or Direction, Artistic Anatomy, and Driving all the Horses at Once.
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https://en.wikipedia.org/wiki/Robert_... Robert Beverly Hale (1901–November 14, 1985) was an artist, curator of American paintings at the Metropolitan Museum of Art, and instructor of artistic anatomy at the Art Students League of New York and the Pennsylvania Academy of Fine Art.
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Robert Beverly Hale Drawing Lessons From The Great Masters
Source: https://www.goodreads.com/book/show/257965.Drawing_Lessons_from_the_Great_Masters
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